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Andreas Löschner-Gornau, Professor Emeritus of Fine Arts

"OrientEsque sculpture" PLA (bio-based plastic),electroplated with copper, patinated/ Click here to buy

  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
This exclusive sculpture combines cutting-edge technology with traditional craftsmanship. The sculpture’s core is a high-precision form made of PLA, a sustainable, bio-based plastic. Through an intricate, multi-day process, the piece is electroplated with a layer of genuine copper. Its distinctive, vibrant depth is achieved through a subsequent chemical patination process: the shades of verdigris and oxidation result from actual chemical reactions, making this sculpture a truly unique, one-of-a-kind piece. The symbiosis of digital design and classic electroforming gives the work an extraordinary tactile quality and visual dynamism as it rests on its base. Finished with high-quality acrylic accents. The sculpture "orientEskue" by Andreas Loeschner-Gornau, themed "Wonders of the Orient," is placed on a light-gray surface against a white background. The sculpture itself is an abstract formation composed of several interconnected columns and organically shaped elements; it is reminiscent of an architectural structure or a cluster of exotic plants. The sculpture’s surface features an uneven texture with deep grooves and raised areas, giving it a dynamic, almost skeletal appearance. Its distinctive coloring evokes a sense of age and mysticism. A deep red serves as the dominant base tone, overlaid with an iridescent gold applied irregularly to accentuate the raised areas and edges. Specks of turquoise or aquamarine shimmer between the red and gold, acting like a patina that adds depth and complexity to the piece. These turquoise accents are particularly visible within the recesses and grooves, creating a contrast with the warm gold and bold red. The sculpture’s composition is vertically oriented. Several columns of varying heights rise upwards, with the tallest positioned in the center. Rather than being smooth, these columns feature thickened, rounded sections reminiscent of joints or flower buds. Some of these swellings are pronounced, lending the form a soft, organic quality. An unusual hollow space opens up in the center of the sculpture, resembling an aperture or passageway. Light strikes the sculpture from the front and slightly above, casting shadows that highlight its texture and three-dimensional form. The golden areas reflect the light intensely, giving the sculpture a luster reminiscent of molten metal or gemstones. The overall structure is dense and compact, yet the various elements and intervening spaces break up the mass, lending it an interesting quality. The sculpture appears heavy and earthy, while simultaneously seeming ethereal and mysterious due to its coloring and form.