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Andreas Löschner-Gornau, Professor Emeritus of Fine Arts

"Agamemnon" PLA (bio-based plastic),electroplated with copper, patinated/ Click here to buy

  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
The images depict a sculpture titled "Agamemnon" by the artist Andreas Loeschner-Gornau. The subject is photographed from various angles. The sculpture is figurative, yet abstracted and stylized. It portrays an upright, enthroned human figure resting upon an irregular, roughly hewn pedestal. The pedestal resembles an assemblage of columns or rocks, hinting at architectural elements such as arches. The figure itself is slender and erect, featuring suggested limbs and a head-like upper extremity devoid of distinct facial features. The body is rendered in a dynamic pose, with one arm raised, reaching upward or outward to the side. The surface texture of the sculpture is rough and textured, suggesting a handcrafted finish. The coloration constitutes a key characteristic. The sculpture is executed in a material featuring a patina reminiscent of ancient bronzes. The dominant colors are a vibrant turquoise or aquamarine blue, interspersed in places with rusty red or brown tones. These are complemented by accents in a lustrous gold hue, which stands out particularly along the raised edges and surface contours. This color scheme imbues the sculpture with a sense of historical depth and an aura of weathering and antiquity. The sculpture is interpreted as representing the "mighty King of Mycenae and leader of the Greeks in the Trojan War"—an interpretation underscored by the figure's upright, proud bearing and its robust, archaic-seeming form. The abstracted rendering leaves ample room for the viewer's imagination to identify the figure as Agamemnon.